Richard Schechner: Performance Studies Pioneer
Richard Schechner, a renowned figure in performance studies, has dedicated his life to exploring the intersection of theater, anthropology, and ritual. As the founding editor of TDR: The Drama Review and a professor at New York University, he has played a pivotal role in shaping the field of performance studies.
Schechner's early experiences as the artistic director of The Performance Group (later renamed The Wooster Group) had a profound impact on his work. His techniques, such as "rasaboxes" (emotional training) and the analysis of "guerilla street theatre," challenged traditional theatrical conventions and sought to foster authenticity and cultural belonging.
In his seminal book "The Future of Ritual," Schechner argues that ritual is a fundamental aspect of human societies and artistic expression. He posits that rituals provide a sense of community, identity, and meaning. He also questions the division between the "avant-garde" and traditional forms of theater, suggesting that experimentation and innovation can exist in both contexts.
Schechner's work has influenced performance studies globally. He has established the Richard Schechner Center for Performance Studies in Shanghai, China, and continues to write books and articles that inspire scholars and practitioners alike. His contributions to the understanding of performance as a vital and transformative force in human life have left an enduring legacy in the field.
Notable Productions and Influences:
Schechner's theatrical work with The Performance Group and East Coast Artists has included groundbreaking productions such as "Dionysus in 69," "Sam Shepard's The Tooth of Crime," and "Anton Chekhov's Three Sisters." His collaborations with international artists, particularly in Asia, have showcased his commitment to cross-cultural exchange.
Schechner has been instrumental in identifying and mentoring talented playwrights, including Sam Shepard, Jean-Claude VanItallie, and Megan Terry. He has emphasized the importance of using collaboration and experimentation to create dynamic and meaningful theatrical experiences.